You might enjoy an early 2000s Bartleby hypertext edition that I’ve rediscovered via the Internet Archive’s invaluable Wayback Machine. It starts with Bartleby’s blank wall and goes from there: cute, no?
Pretty cool version of Bartleby edited by a Slate writer, Andrew Kahn, last year. It’s richly illustrated and contains a wide range of notes that provide historical context and a sense of some of the diversity of critical opinions on the text over the years since its publication. And there’s even an audiobook version on the site for good measure.
As such, it also points towards our second collaborative project together, in which we’ll be doing something similar (though with much lower production values!) with Benito Cereno, so as you check it out, think about what Kahn did to make this work. Or not.
Finally, although it sometimes seems like ancient history, Bartleby played a starring role in the Occupy Wall Street movement in and around Zuccotti Park in 2012. I’ve collated a few pieces from that time that capture the flavor of the way Bartleby haunted that space and that time:
- Jonathan Greenberg riffs on the use of “occupy” and cognate concepts like self-possession, property, and vocation in Melville’s text, in Zuccotti, and on campuses.
- Lauren Klein thinks about the politics of language in both Melville’s text and the movement.
- Jac Asher examines the way Bartleby dismantles the logic of homosociality that underpins Wall Street from within.